Addressing the century 100 years of art and fashion

Addressing the Century: 100 Years of Art and Fashion

addressing the century 100 years of art and fashion

An accurate indicator of cultural, economic and social change, fashion exists to be purchased and then rapidly discarded. However noble the attempt to.

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This vividly illustrated book celebrates the close relationship between the worlds of art and fashion in the twentieth century. It traces a history of ideas from these two arenas, investigating their similarities and differences and the ways that both have been crucial to the development of twentieth-century culture. Topics explored include the role of theater and ballet in the s; the place of the fashion mannequin and the tailor's dummy in surrealist art; mutability and transience in art and fashion and fashion photography; and clothing's effect on the presentation and perception of the body. Worldcat: Click here. Stylecat: Click here. You must be logged in to post a review.

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Addressing the Century: Years of Art and Fashion [Peter Wollen] on Amazon. com. *FREE* shipping on qualifying offers. This vividly illustrated book.
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Until recently, accounts of 20th-century art history have failed to see the relevance of fashion for their object of study. Typically, fashion was regarded as superficial, fleeting, and feminized; therefore, the interest in clothing design manifested by modernist artists from Henry Van de Velde to the Russian Constructivists has customarily been presented as an effort at rationalization or reform, and as a rejection of commercial dress design as practiced by such successful couturiers of the period as Jacques Doucet and Paul Poiret. However, as contemporary artists and scholars have become increasingly interested in the potential of sartorial display to articulate problems of identity construction and explore issues surrounding race, gender, and sexuality, museums have begun to examine the historical background for current artistic practice. The exhibition included more than items—stunningly beautiful and provocative drawings, photographs, paintings, sculpture, and video, as well as actual garments—many of which are reproduced alongside the six short essays in the accompanying catalogue under review here. Given the art-institutional framework in which these large surveys were conceived and carried out, it is hardly surprising that their catalogues generally fail to deliver an intellectually convincing presentation of their subject. They vastly underestimate the historical significance of the couture industry and largely ignore the impact of its commercial interests.



Addressing the Century: 100 years of Art and Fashion

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Addressing the Century: 100 Years of Art and Fashion (1998)

An accurate indicator of cultural, economic and social change, fashion exists to be purchased and then rapidly discarded. However noble the attempt to appropriate this most ephemeral and mercenary of phenomena for high culture, yesterday's glad-rags, bereft of a body and a purpose, present a sad shadow of their former vitality. Which is not to say that their study by historians, critics or curators is a futile endeavour. Attempting to render old clothes meaningful in the deadeningly brutal context of the Hayward Gallery is a difficult challenge. The first section of the show, 'decoration', focuses on the period between and and successfully offers a credible account of the relationship between art and the clothing business.

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